In May 2019, industry giant Native Instruments released Modular Icons, a sound library featuring a plethora of legendary, iconic modular synthesizers with sounds created by some of the world’s most respected musicians and sound designers. Since that time, much of our energy was devoted to the opening of our new Moogseum, but as we approach the end of the year we wanted to pause and feature each artist and modular that is included in this unique soundbank.

Sixty percent of the proceeds from Modular Icons is donated to the Bob Moog Foundation to help support our important work. You can purchase modular icons here: http://bit.ly/ModularIcons. We will be featuring one Icon every week for the rest of the year.

 

TONTO: NATIONAL MUSIC CENTRE

About TONTO

“In historical terms, Malcolm Cecil’s TONTO is to synthesis what the Sistine Chapel is to painting … it’s absolutely the most important modular on earth.” — Francis Preve

Created in 1968 by producers Malcolm Cecil and Robert Margouleff, TONTO  [The Original New Timbral Orchestra] is the world’s first (and likely still the largest) multi-timbral polyphonic analog synthesizer. It began as a series III Moog modular synthesizer, and grew into two Moog modular synthesizer IIIs, four Oberheim SEMs, two ARP 2600s, modules from EMS, Roland, Serge, and Yamaha, as well as custom modules designed by Serge Tcherepnin and Cecil himself. This was the first attempt at creating a universal language for analog synthesizers made by different manufacturers to communicate with each other. Digital sound-generation circuitry, a collection of sequencers, and MIDI control were eventually added.

Having been housed in Jimi Hendrix’s studio, Electric Lady, for ten years, TONTO helped create one of R&B’s most distinctive riffs, the iconic bassline in Stevie Wonder’s hit “Superstition”, as well as what would become his signature sound on “Living for the City”, “You Are the Sunshine of My Life”, “Boogie on Reggae Woman” and over 200 more songs, many of which are still unreleased. “The reason that I got into [TONTO] was that I had ideas in my head and I wanted those ideas to be heard,” Wonder explained in an A&E documentary.

In the 1970s and ‘80s, TONTO was featured on albums from Quincy Jones, Bobby Womack, The Isley Brothers, Gil Scott-Heron, Steve Hillage, Billy Preston, and Weather Report, as well as on tracks from Stephen Stills, The Doobie Brothers, Dave Mason, Little Feat, Joan Baez and many others.

TONTO was at the forefront of a breakthrough for electronica when TONTO’s Expanding Head Band released their first album in 1971. The duo, made up of Cecil and Margouleff, went on to release a second album in 1972, and a compilation TONTO Rides Again in 1996.

In late 2013 TONTO was purchased by the National Music Centre, where it now resides  in Calgary, Alberta, Canada.

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Capturing TONTO for MODULAR ICONS Native Instruments

#ModularIconsSpotlight: TONTO Last winter we were fortunate for the opportunity to travel to the National Music Centre in Calgary, Alberta, Canada to record sounds from the legendary TONTO. With the expertise of distinguished sound designer Francis Prève – Official, we embarked on a recording session that marks the first time TONTO has been sampled for use by the broader public. As part of NATIVE INSTRUMENTS MODULAR ICONS soundbank benefitting the Bob Moog Foundation, you will receive 11 remarkable sounds from the very system that created iconic riffs like the bassline in Stevie Wonder's hit “Superstition” and helped create his signature sound on "Living For the City". MODULAR ICONS is on sale for 50% off through Monday, December 9th, so don't wait to grab yours! Read more about TONTO here: http://bit.ly/ModularIconsSpotlightPurchase Modular Icons here: http://bit.ly/ModularIcons#ModularIcons #SynthIcons #NativeInstruments #SupportBMF"

Posted by The Bob Moog Foundation on Thursday, December 5, 2019

 

To record sounds from TONTO, Bob Moog Foundation Executive Director, Michelle Moog-Koussa (Moogstress) traveled to the National Music Centre in Calgary with sound designer extraordinaire Francis Preve. With Preve’s passion for sound, his attention to detail, considerable technical skills, and his experience designing sounds for the likes of Ableton, Roland, and Korg, he created 11 unique sounds for the Modular Icons soundbank with the invaluable assistance NMC’s Jason Tawkin.

Modular Icons marks the first time TONTO has been sampled for use by the broader public. “Capturing this experience is a milestone in synthesis technology,” Francis reflected about the process.

The following sounds came from this extraordinary experience:

Open the Pod Bay TONTO (Calgary Music Centre)
Punchy Triangle TONTO (Calgary Music Centre)
Sub You Can Feel TONTO (Calgary Music Centre)
Spring Reflection TONTO (Calgary Music Centre)
Warm Embrace TONTO (Calgary Music Centre)
High Harmonics TONTO (Calgary Music Centre)
Fine Corinthian TONTO (Calgary Music Centre)
Hollow Center TONTO (Calgary Music Centre)
Swipe TONTO (Calgary Music Centre)
Mysterio TONTO (Calgary Music Centre)
Phattastic TONTO (Calgary Music Centre)

You can see all of the sound sources for Modular Icons here.

“How great it is at a time when technology and the science of music is at its highest point of evolution, to have the reintroduction of two of the most prominent forefathers in this music be heard again. It can be said of this work that it parallels with good wine. As it ages it only gets better with time. A toast to greatness… a toast to Zero Time… forever.” – Stevie Wonder

Many thanks to the staff at National Music Centre, Francis Preve, and our friends at Native Instruments … for making this experience with TONTO possible!

KURT ADER: CUSTOM CYBERSOUND MODULAR

About Kurt

With an early interest in synthesizers, a teenage Kurt Ader bought a Minimoog in 1977. He learned how to master it, beginning his long journey of producing electronic sounds. As a sound designer, keyboardist, composer and producer, Kurt was known in the Mannheim, Germany music scene for his sound design with well-known artists and his work with manufacturers such as Korg and E-mu Systems.

Through his companies KApro Kurt Ader Productions and KARO Sound Development, he has continued to work on sound creation for the production of music and film, sound programs for synthesizers and samplers, and the development of virtual instruments. Some of the companies and products he has designed sounds for include KORG, KV331 Audio, SCHMIDT, John Bowen Synth Design, Behringer, Moog Music, Casio, E-mu Systems, Oberheim, Sequential Circuits, Roland Corporation, Apple (iOS apps), Roli, Steinberg, Yamaha, and now Native Instruments. 

He also formed S-A-W, a synth supergroup featuring Johannes Schmoelling, former member of Tangerine Dream, Robert Waters, an electronic music producer based in Berlin and himself, who will be releasing a new album in 2020.

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For the Native Instruments Modular Icons sound bank benefiting the Bob Moog Foundation, Kurt designed 19 sounds on his custom Cybersound Modular. The following patches from the soundbank can be found on the “Sound Sources” page of the product:

All Saws Custom Cybersound (Kurt Ader)
Moving Metal Custom Cybersound (Kurt Ader)
Shrill Motion Custom Cybersound (Kurt Ader)
Jetway Custom Cybersound (Kurt Ader)
Outer Limit Custom Cybersound (Kurt Ader)
Flange Chops Custom Cybersound (Kurt Ader)
Martian Squall Custom Cybersound (Kurt Ader)
Mode Pop Custom Cybersound (Kurt Ader)
Dirty Intervals Custom Cybersound (Kurt Ader)
HPF Buzz Custom Cybersound (Kurt Ader)
Belle Choir Custom Cybersound (Kurt Ader)
Phase Osc Custom Cybersound (Kurt Ader)
LFO UFO 1 Custom Cybersound (Kurt Ader)
LFO UFO 2 Custom Cybersound (Kurt Ader)
Dramatic Growl Custom Cybersound (Kurt Ader)
More Saws Custom Cybersound (Kurt Ader)
Q A Noise Custom Cybersound (Kurt Ader)
Like A Pole Custom Cybersound (Kurt Ader)
Airy Grumble Custom Cybersound (Kurt Ader)

Big thanks to Kurt for his participation and contribution to the Modular Icons soundbank! Keep reading to learn more about the other participating artists and modulars.

STEVE PORCARO: CUSTOM POLYFUSION MODULAR

About Steve

Steve Porcaro’s love of the synthesizer gave TOTO’s music a unique voice and helped to cement the synthesizer’s place in rock history. He was born into a musical family with a session drummer for a father, flautist mother and brothers that would take up drums and bass. His childhood home was full of classical & jazz music as he began taking piano lessons at age four. Once he saw The Beatles on The Ed Sullivan Show, like so many others, his path was forever changed, and like many synth players, an Emerson, Lake & Palmer concert focused Steve into the world of modular synthesis.

When his dad, Joe, worked on the Glen Campbell Goodtime Hour, Steve met conductor Marty Paich, and his son David, who would become his partner in crime and keyboard teammate in a band they’d form called TOTO.

Steve’s career became increasingly prolific in the late 1970s / early 1980s with co-writing and touring opportunities. While many know that he wrote or co-wrote several songs for TOTO, including “Takin’ It Back”, “Hydra”, and “It’s A Feeling” (off Grammy-winning Toto IV), he also performed and arranged songs on hit albums such as Michael Jackson’s Off The Wall, Earth Wind & Fire’s I Am, Boz Scaggs’ Middle Man, as well as records by Hall & Oates, Don Henley, Brothers Johnson, Heart, Donna Summer, Al Jarreau … and the list goes on, as well as participating in the landmark charity recording “We Are the World”. His most well-known contribution to pop music may be his composition, written with John Bettis, “Human Nature”, a #7 Top 40 hit from Michael Jackson’s Thriller, which was later recorded by Miles Davis to the delight of Steve and his dad. It was sampled in 1993 by SWV for a song called “Right Here (Human Nature remix)” reaching #2 Pop and #1 Soul for seven weeks.

Steve left TOTO as full-time member in 1987 to focus on his own compositions and recordings, mainly for film & TV.

Steve released his first solo album working with Michael McDonald and others, on one song resurrecting and completing an early 1980s recording that featured Mike & Jeff, who had both passed away by this time.

In last ten years Steve has continued the musical family tradition by working with his daughter Heather on her 2011 debut and scoring music for the TV show, Justified. He’s also rejoined TOTO as a full-time member, singing lead on “The Little Things” from Toto’s XIV album as well as playing on their international 40 Trips Around The Sun tour in 2018-19.

Steve has been playing Moog synthesizers since the early ‘70s, had a longtime friendship with Bob Moog, and has been a big supporter of the Bob Moog Foundation, including having performed at its fundraising gala, and donating sounds to Spectrasonics Bob Moog Tribute Library.

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For Modular Icons, Steve Porcaro helped create sounds from his iconic 1979 Polyfusion modular systems Ramses and Ophelia, which he used both touring around the world and in the studio with TOTO.

Having been used in 1982 to create most of the FM timbres on Toto IV, the system was being restored by synthesizer tech Jim Soloman in Charlotte, NC, and we were able to travel the short distance from Asheville, NC to visit. Jim worked very closely with Steve to create and sample sounds from the legendary system for the Modular Icons project, and got some extra help as well, as he explains here:

“It was difficult for me to work over Skype with Steve because there are so many things to tweak when designing a patch.  As an example, I just wasn’t getting the desired effect Steve was going for during one Skype session.  After the session, I had a brainstorming session with my partner, Jammie Logan, and he was able to help me tweak the sound into something Steve was going for.  I sent the sample to Steve and he said it was much better and then asked us to add a few more things.  Seeing how I was struggling a bit – in order to try and get the best patches we could, Ron Folkman (Designer of the Polyfusion Modular/Current Owner of Polyfusion Electronics) flew Matt Baxley (Moot Booxle) into Charlotte to help with the rest of the patches.”

This collaboration lead to the following patches from the soundbank (found on the “Sound Sources” page from the product):

Brass Skool Polyfusion System (Steve Porcaro)
1975 Horns Polyfusion System (Steve Porcaro)
FM Radio Polyfusion System (Steve Porcaro)
Growth Pad Polyfusion System (Steve Porcaro)
Sawland Polyfusion System (Steve Porcaro)

If you want to get another glimpse at Steve’s Polyfusion setup, buy a copy of Jellyfish’s 1993 album Spilt Milk. On the inside photo there is Steve’s keyboard amid all of the other studio gear. The band rented it specifically for that photo shoot.

Many thanks to Steve, Jim, Ron, Matt, and Jamie for their support of this project!

JEAN-MICHEL JARRE: CUSTOM MOOG MODULAR

For the past four plus decades, Jean-Michel Jarre has been one of music’s most prolific and influential electronic composers and performers, with 80 million albums sold, three Guinness World Records for largest outdoor performances, and often referred to as the “Godfather of Electronic Music”. He has become known for his use of vintage and contemporary synthesizers in his compositions, his highly experiential outdoor concerts, and his use of new technology as it launches (such as projection surfaces, large scale laser mapping, and 3D audio technology for music). Of his 2017 Coachella performance, Entertainment Today wrote, “…“Jarre, [is] no stranger to extravagant live productions…This Frenchman was doing EDM before they even named the genre.”

For the Modular Icons sound bank, Jean-Michel recorded patches from his prized custom Moog Modular in his studio in Paris. Jarre also used this modular on his highly influential 1976 release Oxygène, which has been described as having “led the synthesizer revolution of the Seventies” and sold over 15 million copies. He shared a strong connection with Bob Moog, which developed over decades and which he discusses in the upcoming documentary about Bob’s sonic journey, Electronic Voyager. On stage he can be seen using a Memorymoog as one of his main keyboards, which he has listed as one of his top ten favorite synths.

Jean-Michel’s sounds were featured on the following Modular Icons patches (from the Modular Icons Sound Sources page):

Organ Pluck Custom Moog Modular (Jean-Michel Jarre)
Alien Drone Custom Moog Modular (Jean-Michel Jarre)
Mono Glide Custom Moog Modular (Jean-Michel Jarre)
Iterative FX Custom Moog Modular (Jean-Michel Jarre)
Modular FX Custom Moog Modular (Jean-Michel Jarre)
Engine in G Custom Moog Modular (Jean-Michel Jarre)
Bode Layer Custom Moog Modular (Jean-Michel Jarre)
Sharp Bass Custom Moog Modular (Jean-Michel Jarre)
Lead for Mistress Custom Moog Modular (Jean-Michel Jarre)
For Brassy Seq Custom Moog Modular (Jean-Michel Jarre)
Lead Seq Custom Moog Modular (Jean-Michel Jarre)
Bass Noisy Custom Moog Modular (Jean-Michel Jarre)
Brassy Bass Custom Moog Modular (Jean-Michel Jarre)
Sub One Custom Moog Modular (Jean-Michel Jarre)
Sub El Tauro Custom Moog Modular (Jean-Michel Jarre)
Dusty Lead Custom Moog Modular (Jean-Michel Jarre)
Epic Brass Custom Moog Modular (Jean-Michel Jarre)

Merci bien, Jean-Michel, for your generous participation in Modular Icons, and for your support of the Bob Moog Foundation!

You can purchase Modular Icons here: http://bit.ly/ModularIcons.